Home

The Current Local Date and Time in Wagner, Brazil (BR)

Name: Wagner
Address: Wagner, BR

Time Zone America/Bahia

23:15:28

Local Time Date and Timezone

Where is Wagner? (Brazil, BR)

Wagner is a city located in Brazil (BR).
Latitude -12.28694 Longitude -41.16833

Wagner location on the Brazil (BR) map

Information about Wagner

City: Wagner
Country: Brazil (BR)
Latitude: -12.28694
Longitude: -41.16833
Time Zone: America/Bahia

Time zone and UTC offset ofWagner

Wagner, Brazil is in the America/Bahia time zone, which is currently UTC-3. Daylight saving time is not observed in this time zone, so the offset stays the same all year.

Current time difference with other cities

Wagner is 4 hours behind London
Wagner is 1 hour ahead of New York
Wagner is 4 hours ahead of Los Angeles
Wagner is 7 hours behind Dubai
Wagner is 12 hours behind Tokyo
Wagner is 14 hours behind Sydney

Frequently asked questions about time inWagner

What time zone is Wagner in?

Wagner, Brazil is in the America/Bahia time zone (currently UTC-3).

Does Wagner observe daylight saving time?

No, the clocks do not change during the year in this time zone.

What is the time difference between Wagner and New York?

Wagner is 1 hour ahead of New York (the difference can change when either place switches to or from daylight saving time).

What are the coordinates of Wagner?

Wagner is located at latitude -12.28694 and longitude -41.16833.

Sunrise, sunset and moon phase inWagner today

Astronomical data for October 15, 2026 in Wagner, calculated for the America/Bahia time zone. All times are local.

Sun

Sunrise: 05:20
Solar noon: 11:30
Sunset: 17:42
Length of day: 12 h 22 min

Moon

Moon phase: Waxing Crescent
Illumination: 27%
Moon age: about 5.1 days
Moonrise: 08:46
Moonset: 22:06

Other cities inBrazil

All cities and towns in Brazil

City of Richard Wagner

Wilhelm Richard Wagner ( VAHG-nər; German: [ˈvɪlˌhɛlm ˈʁɪçaʁt ˈvaːɡnɐ] ; 22 May 1813 – 13 February 1883) was a German composer, theatre director, essayist, and conductor, best known for his operas, although his mature works are often referred to as music dramas. Unlike most composers, Wagner wrote both the libretti and the music for all of his stage works. He first achieved recognition with works in the Romantic tradition of Carl Maria von Weber and Giacomo Meyerbeer, but revolutionised the genre through his concept of the Gesamtkunstwerk ("total work of art"), which sought to unite poetic, musical, visual, and dramatic elements. In that approach, the drama unfolds as a continuously sung narrative, with the music evolving organically from the text rather than alternating between arias and recitatives. Wagner outlined those ideas in a series of essays published between 1849 and 1852, most fully realising them in the first half of his four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). Wagner's compositions, particularly in his later period, have complex textures, rich harmonies and orchestration, and elaborate leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music; his Tristan und Isolde is regarded as an important precursor to modernist music. Later in life, he softened his ideological stance against traditional operatic forms (e.g., arias, ensembles and choruses), reintroducing them into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg) and Parsifal. To fully realise his artistic vision, Wagner had his own opera house built to his specifications: the Bayreuth Festspielhaus, which featured many innovations designed to immerse the audience in the drama. It hosted the premieres of The Ring and Parsifal, and remains entirely devoted to staging his mature works at the annual Bayreuth Festival. After Wagner's death, his wife Cosima assumed leadership; it has since remained under the management of their descendants. Wagner's unorthodox operas, provocative essays, and contentious personal conduct engendered considerable controversy during his lifetime, and continue to do so. Declared a "genius" by some and a "disease" by others, his views on religion, politics, and society remain debated—most notably the extent to which his antisemitism finds expression in his stage and prose works. Despite this, his operas and music remain central to the repertoire of major opera houses and concert halls worldwide. His ideas can be traced across many art forms throughout the 20th century; his influence extended beyond composition into conducting, philosophy, literature, the visual arts, and theatre.
From Wikipedia, the free encyclopedia · View on Wikipedia